Leigh Whanell has created his masterpiece. A super update inspired by the invisible man but something completely new altogether. The brilliant Elizabeth Moss stars as Cecelia a damaged woman in an abusive, controlling marriage. As we begin the film she escapes and soon after finds that her ex has committed suicide. Following that she discovers that she will inherit five million dollars as long as she doesn't commit any crimes or is ruled mentally incompetent.
All of that is a red herring for what's to come. Soon after she comes to realize that her new found freedom is an illusion and that her sociopathic ex is stalking her but is invisible. I don't want to get into the details because I refuse to spoil this for anyone but wow. From the opening moments Whannel concocts a mounting feeling of chest tightening dread and keeps it uncomfortably fluid throughout. The small moments of laughter and a feeling of freedom are only to distract you from what's coming.
And trust me it's worth the wait. The film unfolds unexpectedly is utterly driven by Moss's vulnerable yet resilient performance. She's so smart and driven it's easy to root for her and to relate to her seemingly hopeless plight. The film succeeds in establishing Adrian as an utter monster. And the invisibility is a device that works so well because had he been given a steady face and performance, it would have humanized him. And it's all the more effective that it didn't. Despite being a reimagining this is a really new film. It feels fresh in every aspect and even though you might think you know what's going to happen the utter brilliance in which it's executed is utterly astounding.
4.5/5
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